My little girl is commonplace, you
say?
Well, well, I grant it, as you use the
phrase
Concede the whole; although there was a
day
When I too questioned words, and from a
maze
Of hairsplit meanings, cut with
close-drawn line,
Sought to draw out a language
superfine,
Above the common, scarify with words and
scintillate with pen;
But that time's over—now I am
content to stand with other men.
It's the best place, fair youth. I see
your smile—
The scornful smile of that ambitious
age
That thinks it all things knows, and all
the while
It nothing knows. And yet those smiles
presage
Some future fame, because your aim is
high;
As when one tries to shoot into the
sky,
If his rash arrow at the moon he aims, a
bolder flight we see,
Though vain, than if with level poise it
safely reached the nearest tree.
A common proverb that! Does it
disjoint
Your graceful terms? One more you'll
understand:
Cut down a pencil to too fine a
point,
Lo, it breaks off, all useless, in your
hand!
The child is fitted for her present
sphere:
Let her live out her life, without the
fear
That comes when souls, daring the heights
of dread infinity, are tost,
Now up, now down, by the great winds,
their little home for ever lost.
My little girl seems to you
commonplace
Because she loves the daisies, common
flowers;
Because she finds in common pictures
grace,
And nothing knows of classic music's
powers:
She reads her romance, but the mystic's
creed
Is something far beyond her simple
need.
She goes to church, but the mixed doubts
and theories that thinkers find
In all religious truth can never enter
her undoubting mind.
A daisy's earth's own
blossom—better far
Than city gardener's costly hybrid
prize:
When you're found worthy of a higher
star,
'Twill then be time earth's daisies to
despise;
But not till then. And if the child can
sing
Sweet songs like "Robin Gray," why
should I fling
A cloud over her music's joy, and set for
her the heavy task
Of learning what Bach knew, or finding
sense under mad Chopin's mask?
Then as to pictures: if her taste
prefers
That common picture of the
"Huguenots,"
Where the girl's heart—a tender
heart like hers—
Strives to defeat earth's greatest
powers' great plots
With her poor little kerchief, shall I
change
The print for Turner's riddles wild and
strange?
Or take her stories—simple tales
which her few leisure hours beguile—
And give her Browning's _Sordello_, a
Herbert Spencer, a Carlyle?
Her creed, too, in your eyes is
commonplace,
Because she does not doubt the Bible's
truth
Because she does not doubt the saving
grace
Of fervent prayer, but from her rosy
youth,
So full of life, to gray old age's
time,
Prays on with faith half ignorant, half
sublime.
Yes, commonplace! But if I spoil this
common faith, when all is done
Can deist, pantheist or atheist invent a
better one?
Climb to the highest mountain's highest
verge,
Step off: you've lost the petty height
you had;
Up to the highest point poor reason
urge,
Step off: the sense is gone, the mind is
mad.
"Thus far, and yet no farther, shalt
thou go,"
Was said of old, and I have found it
so:
This planet's ours, 'tis all we have;
here we belong, and those are wise
Who make the best of it, nor vainly try
above its plane to rise.
Nay, nay: I know already your reply;
I have been through the whole long years
ago;
I have soared up as far as soul can
fly,
I have dug down as far as mind can
go;
But always found, at certain depth or
height,
The bar that separates the infinite
From finite powers, against whose
strength immutable we beat in vain,
Or circle round only to find ourselves at
starting-point again.
If you must for yourself find out this
truth,
I bid you go, proud heart, with
blessings free:
'Tis the old fruitless quest of ardent
youth,
And soon or late you will come back to
me.
You'll learn there's naught so common as
the breath
Of life, unless it be the calm of
death:
You'll learn that with the Lord
Omnipotent there's nothing commonplace,
And with such souls as that poor child's,
humbled, abashed, you'll hide your face.
CONSTANCE FENIMORE
WOOLSON.