A PICTURE WITH A HISTORY

In a number of Punch for February, 1873, in the account of "Our Representative Man's" visit to the Exhibition of Old Masters, occurs the following sentence: "No 35. Oh, Miss Linley (afterward Mrs. Sheridan), oh how lovely you are! Oh, Thomas Gainsborough, oh, Thomas Gainsborough, oh! And if Baron Lionel de Rothschild, M.P., ever wishes to offer a testimonial to one who knows nothing whatever about him, and for no particular object, let him send this picture, carriage paid, to the residence of your representative, who as his petitioner will never cease to pray at convenient seasons, etc."

The picture thus apostrophized represents that "Saint Cecilia, the beautiful mother of a beautiful race, ³ whose delicate features, lighted up by love and music, art (Reynolds's and Gainsborough's) has rescued from the common decay."

It is not unlikely that Sheridan or his wife may have presented this picture to the Hon. Edward Bouverie.⁴ A letter of  Mrs. Sheridan in 1785 (she died in 1792) is dated from his seat, Delapre Abbey, and she and Sheridan were habitués of his house.

It was at the death of General Bouverie, grandson of Mrs. Sheridan's friend, that her picture was sold, a few months ago, to Baron Rothschild; and a romance might well be woven out of the circumstances which caused this painting to be removed from the place which it had so long occupied in the library of Delapre Abbey.

Delapre Abbey is a stately mansion occupying ground once covered by a monastery, of which the only remains serve as offices of the more modern edifice. Approaching the ancient borough of Northampton by the old London road, you observe on your left, about a mile from the town, a beautiful specimen—one of the only three remaining—of the crosses which a king of England raised to commemorate the places where his beloved wife's body rested on her last journey to Westminster. It lay one night at the abbey, and, whilst that is almost obliterated, the cross remains almost perfect after centuries have elapsed, and served mainly as the model for that which has recently been erected close to Charing Cross, where formerly another of these memorials marked the last halt of the royal funereal cortege.

Mr. Edward Bouverie had several sons, and on the marriage of the eldest Delapre Abbey and the estates attached to it were, in conformity to common usage in England, settled upon the children of this marriage, and, failing issue, on the general's younger brothers and their sons in succession. The general's marriage proved childless, his next brother also left no issue, and at length no son remained but a certain somewhat ne'er-do-weel, Frank.

Frank was an officer in the army. Whilst quartered in the north of Ireland he had fallen in love with a girl beneath him in station, and, greatly to the disgust of his family, married her. His father, who was deeply imbued with aristocratic prejudices, ceased to hold intercourse with him, and except that occasional communications passed between him and his mother, his relations with his family ceased. At length he died, and as it became evident that his brothers would never have children, Frank's son was obviously the heir. Under these circumstances the family offered terms to the mother if she would give up her son altogether and consent to his being bred a Protestant. These overtures she declined. The advice of leading lawyers was then sought, but they declared that the settlement of the property could not by any possibility be set aside. Meanwhile the case suddenly assumed a new aspect.

About twelve years ago a lady of prodigious energy and perseverance made her appearance in the law courts of London, who was bent on proving the legitimacy of her grandfather. By "much wearying" she prevailed upon Lord Brougham to introduce a bill which became known as the "Legitimacy Declaration Act." By the provisions of this measure a person who believes himself heir to a property may cite all persons interested to come in at once and show cause why he should not be adjudged rightful heir and representative of a given person and estate.

Frank Bouverie's son resolved, therefore, to take the bull by the horns, and save all future trouble by obtaining a decree of court. The family very unwisely resolved to oppose his claim. It seemed that stories prejudicial to the character of the claimant's mother had been in circulation, and the Bouveries grounded their opposition on the allegation that the claimant⁵ was not in truth a Bouverie at all.

On the other hand, ample testimony was adduced to show that Frank Bouverie, notwithstanding his wife's irregularity of conduct, had always regarded the boy as his son and heir; and one witness told how the father had held the little fellow up to look at the picture of  his ancestral home, and said, "All that will one day be yours." So the Bouveries' case broke down entirely, and the ex-private soldier, ex-policeman, stepped into the fine old mansion of Delapre with sixty thousand dollars a year. It is satisfactory to be able to add that he has always borne an excellent character, and seems likely to duly take his place as a country gentleman. Of course nothing but the bare fabric and land came to him: the personalty was all left to his aunt, the general's widow, an old lady near ninety, who yet survives; and it was by her direction that the famous Linley picture once more changed hands.

Footnote 3: This lady's granddaughters, her son's daughters—the duchess of Somerset, Queen of Beauty in the celebrated Eglinton Tournament; the countess Gifford, mother, by her first husband, of Lord Dufferin, viceroy of Canada; and the Honorable Mrs. Norton, the well-known authoress—were famous in their day for beauty. Gainsborough passed many years at Bath, where his intimacy with the Linley family, then resident there, commenced. The following is from Fulcher's Life of Gainsborough: "After returning from a concert at Bath, where we had been charmed with Miss Linley's voice, I went home to supper with my friend (Gainsborough), who sent his servant for a bit of clay, with which he modeled, and then colored, her head—and that too in a quarter of an hour—in such a manner that I protest it appeared to me even superior to his paintings. The next day I took a friend or two to his house to see it, but it was not to be seen: the servant had thrown it down from the mantelpiece and broken it." Gainsborough would now and then mould the faces of his friends in miniature, finding the material in the wax candles burning before him: the models were as perfect in their resemblance as his portraits.

Footnote 4: The history of the Bouverie family settling in England is curious. The family had, prior to 1542, long been settled in Flanders. In that year was born, near Lisle in that country, Laurence des Bouveries, as the name was then written, founder of the English branch. Laurence, from mixing with his father's Protestant tenants, had imbibed some of their ideas, and his father, a stern Catholic, told him that if he failed to appear at mass the following Sunday he would have him examined by the Inquisition. In terror he ran away to Frankfort-on-the-Main, and there had the luck to fall in with a sympathetic silk manufacturer, who made him superintendent of his men. Subsequently he married his patron's niece and heiress, and eventually removed to England when Queen Elizabeth offered an asylum there to those of the Reformed faith. His family made wealthy alliances and prospered, and in 1747 his representative was created a peer. He married, first, the heiress of Delapre, and her property went to her second son, Edward. His eldest son by his second marriage took the name of Pusey, and was, father of the celebrated Dr. Pusey.

Footnote 5: Lord Cairns, then Sir Hugh, opened the case for the claimant, and received, it was said, two hundred and fifty guineas for the work, which occupied about two hours. Sir Fitzroy Kelly appeared as counsel for the family. He spoke for about fifteen minutes, and his fee was the same.